Rather than restrict ourselves to a select few triumphs, however, we here at Esquire continue to believe that more is always merrier, and that especially this year, it’s only right to celebrate the numerous diverse domestic and international works that chilled, thrilled, amused, excited and inspired us. No matter where they premiered (or were seen), offerings from illustrious auteurs and promising newcomers were everywhere, led by the latest from Joel Coen, Joachim Trier, Roy Andersson, Paul Thomas Anderson and Ryusuke Hamaguchi, whose dramas comprise our top five. Between the theatrical business’ state of flux, and the bumpy track record of movies that opted to debut day-and-date at the multiplex and at home–not to mention the sheer confusion caused by all these shifting paradigms–it’s a minor miracle that, as we get set to turn the calendar to 2022, the country’s cinematic state of affairs is as stable as it presently is.Ĭredit for that resilience goes in large part to the insatiable appetite of American cinephiles, as well as the abundance of terrific features that, over the past twelve months, have graced screens both big and small.
BEST RECENT MOVIES FOR MEN MOVIE
So too is the movie industry, which has been on quite a rollercoaster ride courtesy of COVID-19 and our up-and-down efforts to contain it.
2021 is in the books, and despite the chaos, we’re still standing.
0 kommentar(er)
